播放记录

街女

状态:已完结
类型: 剧情,动作
导演: 钟少雄
年代:2000

播放地址:

不能播放,报错

《街女》剧情简介

17岁的Coco自丧母后性情变得孤僻,又不能与疏离已久的离异父亲相处,身为反黑组沙展的刀片叔忽略沟通之道,只适以严厉管束,使Coco更为反叛,流连夜店,沉沦毒海。她认识了一位在黑社会罕有的正义人物阿箭,可惜世上所有人都想拆散他们。他们想回头却被新扎大佬追杀,阿箭被杀,Coco惨遭轮奸。刀片懂得关怀爱女已太迟,唯有以鲜血教导她回归正路……

《街女》相关视频

  • 魔力 8.0 魔力
    魔力
    1988 剧情
    简介:方咪咪与方甲甲姐弟俩在一个偶然的情况下被发现有特异功能。消息不胫而走,一时间,他们成了新闻人物。方家和学校从此忙碌起来,有的人要求甲甲、咪咪找一找祖上埋下的元宝;有的人请他俩去为患者透视看病;有的要他们去帮助破案;而学校的关校长却想利用他们去巴结领导从而得到的提拔。这时,华夏大学人体研究所的工作人员米兰提出要对他俩进行测试,以便带他们到北京参加特异功能研讨会……关校长为了讨好各方,不惜一女两嫁暗中得得,最终因为收受贿赂而受到了应有的惩处。在为外宾表演的专场中,咪咪和甲甲利用思维控制的功能使两位外宾情不自禁跳起了迪斯科,使中外宾客大饱眼福,世界特异功能表演大赛主持人查尔斯向姐弟俩发出了参赛邀请。自然之谜》杂志社总编胡梦龙和钱菲菲趁机以此为资本,办起了特异功能刊院,大雪骗取钱财。以满天飞和黄毛为道的流氓盗窃团伙。为了利用咪咪和甲甲帮助他们找到清代的稀世国宝,将姐弟俩劫持到一个地洞里。咪咪和甲甲不畏强暴、巧于周旋,最终在公安人员的配合下,利用自身的特异功能战胜了邪恶。胡梦龙被抓走;满天飞丧命;大疤脸和黄毛也被逮捕归案。姐弟俩幸福地回到了亲人的怀抱,随着科研人员米兰来到了北京。
  • 墨路 3.0 墨路
    墨路
    2017 剧情,悬疑,情色,犯罪,黑色电影
    简介:人群熙攘的城市里,底层的小人物毫不起眼但人数众多,主人公小张就是小人物中的一员。小张是黑车司机,性格内向又有些自卑,沉默寡言,看起来老实憨厚.由于狭隘的成长环境,小张总是会显得有些呆滞,两只手无处安放地插在口袋里是他的标志动作。每天小张开着自己破旧的汽车去车站载客,晚上便回到出租屋内,住在隔壁的房东老太还时不时来催房租。谁也不知道小张是从哪里来,要到哪里去,他每天就这么生活着,平淡无奇。但是,平静的湖面下,却暗藏波涛。为了喜欢的姑娘,小张被人打晕在暗巷中。醒来后,却看见打人者的尸体倒在脚边,随后小张发现,尸体神秘失踪。那个人到底有没有死?晕倒后到底发生了什么?莫名其妙的流浪汉为什么会出现在这里?小张的身上究竟藏着怎样的秘密真相只有一个答案,一切疑问都来自于人性与命运的纠葛......
  • 蒂尔 7.0 蒂尔
    蒂尔
    2022 剧情,传记,历史
    简介:故事讲述了美国黑人民权运动中的一桩真实事件,1955年,年仅14岁的埃米特·路易斯·蒂尔被指 责与一名白人妇女有不正当关系后,被绑架并被残忍地杀害。两名白人嫌疑人在全白人陪审团的审判下,被判无罪。埃米特的母亲玛米·蒂尔-莫布利(丹妮尔饰)为了帮儿子伸张正义,决定在埃米特的葬礼上敞开棺材,并让《Jet》杂志刊登自己儿子葬礼照片,她想让世界各地的人们知道她儿子的遭遇。随后成千上万的人看到了埃米特的照片,这也使得埃米特案成为了对南方黑人司法不公的象征。乌比饰演埃米特的祖母阿尔玛·卡尔坦。
  • 不安 6.0 不安
    不安
    1954 剧情
    简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
  • 爱·杀 4.0 爱·杀
    爱·杀
    2020 剧情,同性
    简介:「誰,殺了杜小鳳?」杜小鳳是個女刺青師,剛出獄的更生人。率先自首的的人,叫劉以潔,她是個檢察官,當年就是她親手將杜小鳳定罪的。然而,女檢的新婚丈夫孟燁,卻在清醒之後坦言:自己才是兇手。唯一能替杜小鳳回答的,就只有她在獄中寫的372封書信……這些信,是她不曾寄出過的情書;但在她出獄後,這些信卻點燃了三人之間的嫉妒、慾火、以及不敢面對的感情……最後,這份來自地獄的愛,終於引來不可挽回的殺機。
  • 合奏 6.0 合奏
    合奏
    2020 剧情
    简介:由金承洙、李天熙 、金正华、徐胤雅 、刘珉奎、崔培永出演的电影《Ensemble》将于2020年秋天上映。  电影讲述生活在这个时代的青春生活和爱情的故事,曾被受邀第20届全州国际电影节的NEWTRO全州单元和第24届釜山国际电影节。  这是凭借《成惠的国家》获得第19届全州国际电影节韩国竞赛部门大奖等国内外评委和观众热烈好评的郑亨硕导演执导的第三部长篇作品。  金承洙饰演迎来新爱情的话剧导演永路,徐胤雅饰演10年间一直守护在他身边的助理导演世英。 李天熙和金正华饰演在梦想和现实面前经历矛盾的夫妇,崔培永饰演相信命运并留下一天记录的周永,刘珉奎饰演不再相信命运的珉宇。

评论

  • 当前没有评论,赶紧抢个沙发!